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Gustav Klimt, Wasserschlangen I (Detail). 1904-07, Belvedere, Wien
Gustav Klimt and the Kunstschau 1908

Lower Belvedere

1 October 2008 to 1 February 2009

 

On the occasion of its 100th anniversary, the show is going to be revived in the Belvedere’s exhibition: as from October, a part of the original exhibits - which will partly be presented in replicas of the former exhibition rooms ? and additional works by artists that were presented at the Kunstschau 1908 as well as documentary photographs, models, original plans, and a film, will serve to illustrate the details and dimensions of this extraordinary event. An architectural model will demonstrate the location of the Kunstschau premises within their urban context.

An authentic spatial experience is going to be conveyed by three halls to be reconstructed in their entirety: “Room 50”, with works by leading members of the Wiener Werkstätte, “Room 10”, with reproduced posters pasted directly onto the walls as they were then, and “Room 22” which was designed by Koloman Moser using major works by Gustav Klimt, the highlights of the show - both then and today. Among other works, Gustav Klimt presented Fritza Riedler (1906), Adele Bloch-Bauer I (1907), The Three Ages of Woman (1905), Danaë (1907/08) and his most famous work The Kiss (1908), which was acquired for the collection now housed in the Belvedere while the exhibition was still running.

Further exhibits come from the former rooms devoted to “Theatre Art”: Richard Teschner’s monumental glass mosaics and puppets, stage designs by Alfred Roller, and a two-metre-high costume design by Emil Orlik for Shakespeare’s Winter’s Tale, staged by Max Reinhardt. For “Room 27”, Otto Prutscher had designed an impressive wall ensemble of marble, ornamental brass sheet, and a glazed display cabinet; its individual parts have been assembled from all over Europe and now appear reunited. From the original room “Art for Children”, Magda Mautner von Markhof’s doll’s house has been made available as a loan; the “General Painting” section is represented by works of Adolf Hölzel, Wilhelm List, Leopold Blauensteiner, Maximilian Kurzweil, Broncia Koller-Pinell, Elena Luksch-Makowska and others.

Research conducted for this exhibition has led to a new scholarly approach to numerous artists who appeared in the Kunstschau and have largely fallen into oblivion today, such as the sculptor Franz Metzner, to whose work the Kunstschau devoted two rooms.


The exhibition is on from 1 October 2008 to 18 January 2009 at the Lower Belvedere and will be accompanied by a publication.




Exhibitions

CURRENT EXHIBITIONS FUTURE EXHIBITIONS REVIEW Herbert Boeckl. Retrospective Viennese Model Rooms Masterpieces in Focus: Franz Anton Maulbertsch BC21 Franz West: The Garden of Earthly Delights Ferdinand Georg Waldmüller ars viva 08/09 Intervention: Christian Hutzinger Oswald Oberhuber Masterpieces in Focus: Lovis Corinth Alphonse Mucha Sense and Sentiment The Power of Ornament Intervention: Franz Kapfer Gustav Klimt and the Kunstschau 1908 Arnulf Rainer - Dieter Roth. Mixing and Separating Constantin Luser. Clouds of Action Donations to the Belvedere by Thaddaeus Ropac Endangered - Conserved - Presented Fantastic Realism Form and Matter Tony Cragg versus F. X. Messerschmidt Oskar Kokoschka: Dreaming Boy - Enfant Terrible Martin Schnur. Shine Intervention: Brigitte Kowanz Markus Schinwald Vienna - Paris Gustav Klimt and the Artists Company BC21 Art Award 2007 Masterpieces of Medieval Art | Warsaw Gudrun Kampl : Johann Lucas von Hildebrandt Fritz Wotruba: Simplicity and harmony Garden Pleasures. The Garden in Art










Gustav Klimt and the Kunstschau 1908

Lower Belvedere

1 October 2008 to 1 February 2009

 

Partner of the Gustav Klimt Exhibition

 

Samsung