Ten thousand wiles and a hundred thousand tricks opens at the 21er Haus, Vienna as part of the seventh edition of Meeting Points, a festival focusing on the contextualized presentation of art from the Arab World.
The Vienna instalment of the exhibition has been realized in close partnership with multidisciplinary art festival Wiener Festwochen and the 21er Haus. The title of the project, Ten thousand wiles and a hundred thousand tricks, is a quote from Wretched of the Earth (1961), the book revolutionary philosopher Frantz Fanon wrote as a reflection on the Algerian revolution and whose title derives from the opening lyrics of the Internationale, the song of the world workers' movement.
Meeting Points 7 is curated by What, How & for Whom/WHW, a curatorial collective formed in 1999 and based in Zagreb and Berlin. WHW organizes production, exhibition and publishing projects and directs Gallery Nova in Zagreb. WHW is currently working on a long-term collaboration project, Beginning as well as we can (How do we talk about fascism?), and curating the exhibition Really Useful Knowledge, to open at Museo Nacional Centro de Arte Reina Sofía in Madrid in October.
A project by Young Arab Theatre Fund
Presented by Wiener Festwochen in cooperation with the Belvedere at the 21er Haus
With works by
Lawrence Abu Hamdan, Martin Arnold, Marwa Arsanios, Sven Augustijnen, Kianoush Ayari, Hicham Benohoud, Gerard Byrne, Filipa César, Céline Condorelli, DAAR, Ramesch Daha, Carola Dertnig, Goran Devi, Roy Dib, Eva Egermann, Simone Fattal, Simohammed Fettaka, Karpo Godina, Nilbar Güre, Sharon Hayes, Adelita Husni-Bey, Iman Issa, Sanja Ivekovi, Maryam Jafri, Rajkamal Kahlon, Johanna Kandl, Anton Kannemeyer, Gülsün Karamustafa, Runo Lagomarsino, Victoria Lomasko, Maha Maamoun, Jumana Manna, Azzedine Meddour, Edgar Morin & Jean Rouch, Christian Philipp Müller, Tom Nicholson, Daniela Ortiz, Lisl Ponger, Darinka Pop-Miti, Marta Popivoda, Arnulf Rainer/Dieter Roth, Curt Stenvert, Katarina Ševi and Tehnica Schweiz (Gergely László and Péter Rakosi), Cecilia Vicuña
With the kind support of
Allianz Kulturstiftung,Flemish Authorities, Ford Foundation, Australia Council for the Arts, Foundation for Arts Initiatives, Office for Contemporary Art Norway / OCA