The Embrace (1917) © Belvedere, Wien Artist Collection Expressionism +1… Who was Egon Schiele? Who? What? Why?
Infrared reflectography of Johann Baptist Lampi the Younger, Venus Sleeping on a Day Bed, 1826 (detail) Photo: Belvedere, Vienna Exhibition Collection Restoration +1… Beneath the Surface: Art Restoration at the Belvedere Johann Baptist Lampi the Younger and the Hidden Cupid
Infrared reflectography of Johann Baptist Lampi the Younger, Venus Sleeping on a Day Bed, 1826 (detail) Photo: Belvedere, Vienna
Summer © Johannes Stoll / Belvedere, Wien Inside Belvedere Collection Education +1… A Room of Gold: The four Seasons A Closer Look: The Gold Cabinet in the Lower Belvedere, Part II
Erna Rosenstein, Screens, 1951 Muzeum Sztuki, Łódź The Estate of Erna Rosenstein - courtesy of Foksal Gallery Foundation and Hauser & Wirth Exhibition Artist Avantgarde Erna Rosenstein In Focus: Between Memory and Imagination
Erna Rosenstein, Screens, 1951 Muzeum Sztuki, Łódź The Estate of Erna Rosenstein - courtesy of Foksal Gallery Foundation and Hauser & Wirth
The Embrace (1917) © Belvedere, Wien Artist Collection Expressionism +1… Who was Egon Schiele? Who? What? Why?
© Michele Agostinis Inside Belvedere Perspectives Games +1… Playing Art How Game Jams Open Up New Perspectives on Art
The element fire (Lower Belvedere, Gold Cabinet) © Johannes Stoll / Belvedere, Wien Inside Belvedere Collection Education +1… A Room of Gold: The four Elements A Closer Look: The Gold Cabinet in the Lower Belvedere, Part III
Gustav Klimt, Judith Photo: Johannes Stoll / Belvedere, Vienna Artist Collection Klimt Why did Gustav Klimt use gold? Who? What? Why?
© Johannes Stoll / Belvedere, Wien Tips Visit +1… The Bundesmuseen Card at a Glance Free admission to Austria’s federal museums – including the Belvedere
Ferdinand Georg Waldmüller, View of the Dachstein from the Sophien-Doppelblick near Ischl, 1835 Photo: Johannes Stoll / Belvedere, Vienna Exhibition Collection Nature +2… How Nature Found Its Way into the Living Room Ferdinand Georg Waldmüller and the New Significance of Landscape Painting in the 19th Century
Ferdinand Georg Waldmüller, View of the Dachstein from the Sophien-Doppelblick near Ischl, 1835 Photo: Johannes Stoll / Belvedere, Vienna
