Beyond the Human
The CIVA Festival on art, technology and a connected world
The media art festival Civa – Contemporary Immersive Visual Art was founded in 2021 by curator Eva Fischer, who previously made a name for herself with the hip audiovisual festival sound:frame. A conversation about being human, being more-than-human, and how it relates to a connected world.
Stefan Niederwieser
Eva Fischer
Djamila Grandits
eSeL.at
Johannes Stoll
Stefan Niederwieser
Civa takes a critical look at how intelligence is constructed. Why do you steer clear of the term “artificial intelligence”?
Djamila Grandits
Artificial intelligence is often reduced to tools like ChatGPT. We want to broaden the scope and examine the underlying concept of intelligence. This quickly leads to the question of what intelligence actually is—and, by extension, what knowledge entails. For a long time, these concepts have been organized hierarchically: distinguishing between what is considered worth knowing and what is not, and between disciplines and skills. Yet intelligence and knowledge can also be understood differently—as something that emerges symbiotically and is stored within networks or organisms.
Eva Fischer
Philosophical and scientific theories show that knowledge extends beyond the human. The Gaia hypothesis, for example, conceives of planet Earth as a single organism in which everything is connected. This perspective breaks with the anthropocentric worldview that places humans at the center and assumes that only they are capable of producing intelligence. At Civa, we seek to explore symbiotic networks and examine how artists engage with them. In recent years, significant artistic research has emerged in this field.
Stefan Niederwieser
For example, the work of Claudia Larcher, recipient of the Austrian Art Prize. Her short film was shown at the Civa opening in early October 2024.
Eva Fischer
Claudia Larcher is working on an ongoing project that uses AI to alter iconic images from art history. Faces read as male were meant to be replaced with those perceived as female or gender-diverse. What’s particularly fascinating is how complex the process turns out to be. The AI, for instance, adds images of handbags or babies whenever it detects a female association. This suggests that it was trained on data that reproduces social bias. It raises questions: How do such biases enter the data? And who is actually storing knowledge? Larcher’s short film represents the culmination of years of artistic research.
Stefan Niederwieser
You aim to create collective spaces. How can you make sure that safe spaces don’t turn into closed filter bubbles?
Djamila Grandits
I am convinced that social media platforms are programmed in ways that make openly structured spaces next to impossible. Yet every space, whether online or away from the keyboard, must be continually negotiated, critically examined, and defended. In addition to its usual discussion formats, Civa organizes tours and social sessions and creates opportunities for exchange on current challenges and developments within the (media) art scene. In this way, Civa itself becomes a collective space that, ideally, can offer community.
Stefan Niederwieser
You are talking about “sticky webs.” What does that mean?
Djamila Grandits
Webs are neither sterile nor smooth, even if they are often portrayed as such. We are entangled with one another—we can get caught up, or spin things further. Human, organic, and artificial structures can hardly be separated. In nature, for instance, trees, plants, and fungi communicate through their roots and mycelial networks. This communication does not have to be visible. But it happens all the same.
Stefan Niederwieser
How does Civa look toward the future?
Eva Fischer
Technology alone will neither save us nor wipe us out. Instead, we are exploring how to approach artificial intelligence with greater openness—to stay in conversation and move into action. AI is not a sword of Damocles hanging over our heads but something we can shape, steer, and even playfully explore ourselves.
The annual Civa Festival explores the interplay between current technologies, realities, and experiences in digital, physical, and hybrid spaces. The festival features an exhibition at Belvedere 21 as well as a diverse program of panel discussions, film screenings, and live performances.
Article first published in "Belvedere Kunstmagazin" no. 2-2024 on occasion of the CIVA media art festival 2024.